it’s already had it
i could tuck you in
and we can talk about it
i had a dream
and it split the scene
but i got a hunch
it’s coming back to me

Merge Records is probably the coolest indie-rock label out there today.
Since it’s the label’s twentieth birthday, here are just 10 of my favorites.
Arcade Fire’s Funeral
Polvo’s Today’s Active Lifestyles
Neutral Milk Hotel’s In An Aeroplane Over the Sea
Richard Buckner’s Dents and Shells
M. Ward’s Transistor Radio
Destroyer’s Rubies
Spoon’s Gimme Fiction
Dinosaur Jr.’s Bug
Oakley Hall’s I’ll Follow You
The Rosebuds’ Birds Make Good Neighbors
I like my sugar with coffee, cream, synths and drones.

Julian Casablancas is now faced with the uncomfortable task of following—not only The Strokes trifecta of greatness—but also the cozy sounds of Little Joy and Albert Hammond Jr.
He’s destined to fail—as always—on Phrazes for the Young. He’s still the same schlub, thinking everyone will “piss on his grave.” But Casablancas has learned how to twist his melodies against different instruments rather than just the two-tone guitars of The Strokes.
The results are mixed. The album is largely electronic, keyboard blips with the occasional string sample or guitar riff here and there. “Ludlow St.” is grating around the 3 minute mark, and Casablancas sounds like he really has no clue what to do with the beat.
But I’m ok with this departure. I always thought one of The Strokes’ best songs was “Ask Me Anything,” that organ and Casablancas ditty off their third album.
He definitely has the voice for a project like this. It sounds like he has an array of sounds and armor as well. But it’s not going to change anyone’s mind, Strokes fans are still going to wonder when the next Strokes album is going to come out.
If I had my way, I would want to see how far Casablancas could take this electronica stuff before coming back to rock. As he sings on “River of Brakelights,” he’s finally “getting the hang of it.”
We’re finally witnessing that shy Strokes singer grow into a respectable frontman.

Is it hip to like Suicide?
I have a love-hate relationship with Suicide. I think it’s easy to canonize this band. At the time, they probably were pioneers; but some of it just doesn’t hold up. I’m not sure if Vega couldn’t write lyrics or what, but repeating lines over and over again hardly makes you a songwriter. And sometimes, you don’t mind whatever the hell he’s copping from Lou Reed, because Martin Rev can make a fantastic cape of keyboards for his singer.
My favorite is “Dream Baby Dream.”
Is that cliche? I feel like it might be. Like I’m really late for dinner, like dinner started at 5 p.m., and I’m the fucking young player at the nursing home who always comes in drunk at 9 p.m., wanting a bag of potato chips and Aleve.
Anyway, “Dream Baby Dream” may (or may not) be their most popular song (I mean, The Boss covers it, so it has to have some clout) and that’s because it’s a simple love song. The beat mirrors the dazzling, glossy feeling that everyone wants in a first kiss. It’s a prime cut for that romantic scene in a movie.
As for the rest of Suicide’s catalog, I’ll take it in strides. Right now, I’m quite content with Vega asking his baby to keep that flame burning forever…and evah.

The first time I read about Wooden Shjips, I thought it was a Rob Zombie side project. The band’s guitarist looks like Zombie, beard, long hair, tats and all. I swear it’s his doppelganger.
The band’s music is the farthest thing from Zombie and that horror-show dumbness.
Wooden Shjips specialize in psychedelic drones. Boasting a rhythm section that’s tighter than a guy doing the best version of the robot you’ve ever seen, these songs focus on a groove.
Remember that word? Groove?
Some might say this is too long, might even say it’s boring. And I get where those people come from, but listening to Wooden Shjips is a welcome relief from the constant need to keep the audience in tune and change up everything.
The band is channeling a time and sound when it wasn’t about capturing the attention span of a 15-year-old.
Oh, and it doesn’t hurt that the Rob Zombie doppelganger can play a mean guitar lick.
Update, three songs into Dos:…yeah, I love this band.
4 days ago
New Classics Vol. 6
Wyclef Jean— The Ecleftic: 2 Sides II a Book
Does anyone remember Wyclef Jean?
His efforts are easy to forget, especially in a time where pop radio in inundated with Soulja Boy’s casual innuendos, and the catchiest song on radio has a chorus of “you da fuckin’ best.”
Wyclef, himself, isn’t making things any sunnier. The most memorable thing he’s done in awhile was his appearance on Dave Chappelle’s Block Party, singing “If I Were President” with some elementary kids.
But it seemed like Wyclef was the next big thing around 2000. The Fugees were done. He had the amazing hit single “Gone Till November.” He even did that pop song “Maria, Maria” with Santana on the gazillion-selling Supernatural.
Forget what Wyclef has done recently and let’s focus on one of his better efforts, the awkwardly titled The Ecleftic: 2 Sides II a Book.
I felt like such a badass buying this album when I was in junior high. Finally, I had found a hip-hop album that I could buy (that didn’t have a glaring Parental Advisory sticker on it); that wasn’t terrible (like whatever Mase and Puff Daddy released).
Fast forward 10 or so years, and I need something to keep my adrenaline pumping after a bike workout, and there The Ecleftic is, blaring at me, telling me to remember this.
Could it be nostalgia or is this album not bad at all?
Sure there’s the glaring pop-crossover appeal that Wyclef so wanted—see “It Doesn’t Matter” with The Rock guest starring and “911” with Mary J. Blige. But these songs work just fine.
And if you need more serious songs and true hip-hop beats, well Wyclef front-loads the goddamn thing with “Where Fugees At?, “Thug Angels,” and “Da Cypha.” All of which give Wyclef enormous “street cred.”
“Thug Angels” is enough to give this album a listen. Wyclef weaves a better story than Jay-Z’s from “99 Problems.” Wyclef sarcastically challenges all these rappers at the same time. The song feels real, which is impressive, considering anyone with drug money can get a record deal and talk about dealing crack. But do you ever side with Rick Ross when he talks about “hustlin’ everyday”?
I don’t. It’s fake. I get it, Rick Ross, you like drugs and money, but you want to make all that money legal, so you got ripped one day at your mansion, started rapping and your attorney who looks like Sean Penn from Carlito’s Way told you, “You should really consider rapping.”
It seems as though a lot of critics just put Wyclef on the back burner. Like I said, that’s easy. He hasn’t made the catchiest tunes, but The Ecleftic might be Wyclef’s masterpiece. When Wyclef was still trying to catch the few final flames of The Fugees’ popularity. When the music mattered just as much as the bass drum and snare beats. When hip-hop meant more than just throwing some sex and drug references in a song with a pretty girl with hoop earrings singing a general hook about a sunny day in NYC.
However it happened that Wyclef landed in my CD case this afternoon. I’m pleasantly surprised and will keep my ears on this forgotten gem.
1 week ago
New Classics Vol. 5
Richard and Linda Thompson—I Want to See the Bright Lights Tonight
This album doesn’t get enough credit. I remember seeing its small picture in the Rolling Stone’s 500 Greatest Albums and also in the 1001 Albums You Must Hear Before You Keel Over Out of an Airplane or whatever it’s called.
At first, Richard and Linda Thompson’s cinematic story interested me more than the music.
Guitarist meets session singer. They record a couple albums, ranging from folk-tinged rock to records that give in to the ’80s over-production and gloss. That last album doesn’t do so hot. Relationship crumbles. They release one final album. Live, the two are a wreck, slapping each other and yelling at each other. They finally break up.
While my peers craved the hip sounds Fleetwood Mac’s Rumours on vinyl, I needed something lesser known and less Magoo. I’m sure Rumours is great, but, at the time, it seemed like everyone and his mother and that football player from high school who grew up to be the father of six liked Rumours.
Point is, I finally bought Richard and Linda Thompson’s first album.
It’s amazing I haven’t mentioned this album. I was reading on this forum where a member said something to the effect of, ”You really need to listen to this every week.”
And he can’t be more correct.
Side A is a little stronger than Side B. I could listen to the opening riffs of “The Cavalry Cross” every day for a year and not get tired of it. Same goes for “When I Get to the Border” and its massive denouement. Same goes for the understated pop of the title track.
Sure, there’s the history of Richard and Linda Thompson. That whole aforementioned career biography. Even this album has its history of being recorded on a very miniscule budget then being relegated to the shelfs of Island Records for 8 months.
It’s like the album was destined to be underrated and overlooked.
That’s a shame, because it truly is one of the best pop-rock albums you’ll ever hear. You truly do need this album every week of your life.
1 week agoHow about a round of quickies?

First up, Since when did Weezer think it was OK to sound like Linkin Park?
Sure, it’s catchy, but when did Weezer not make a catchy song or two?
Questions, questions, questions, that’s all Raditude will give you if you’re a true fan of Weezer at the band’s prime.
And yes, Pinkerton and The Blue Album hold up quite, quite well.

Meanwhile, Alec Ounsworth and Clap Your Hands Say Yeah are on hiatus. I’m not sure when they’ll return. Some Loud Thunder was under-appreciated, but that last single and Jimmy Fallon appearance was underwhelming.
Ounsworth, luckily, is still making some tunes. His solo debut, Mo’ Beauty, features one of the best New Orleans tributes I’ve heard in awhile—”Holy Moses (Song for New Orleans).”
Clap Your Hands Say Yeah might be done, but this is a disc worth listening to, keeping me interested to see what Ounsworth might release next.
Even if he’s creepily following the career path of David Byrne exactly to the tee.

Fuck Buttons, I want to like you, but my brain doesn’t have room for obnoxious and long anymore. To the trash goes Tarot Sport.

Richard Hawley has always peaked my interest. He has cool album covers—any guy that can pull off lounging a plush suit and king’s chair and call it an album cover is all right with me—but I’ve never actually listened to him until now which I snagged a copy of Truelove’s Gutter.
I could drown in the song “For Your Lover Give Some Time.”
For this album, I will give some time and more listens.
I watched The Rock last night for the millionth time.
I thought I’d fall asleep to this movie, but I didn’t. I actually made myself (thanks Bud Light) stay up to watch Sean Connery, Nicolas Cage and Ed Harris in the 1996 blockbuster.
This movie is ripe for the picking for a video-game adaptation. And surprisingly, three things:
1) There’s a Criterion Collection version.
2) Quentin Tarantino and Aaron Sorkin were uncredited screenwriters.
3) Roger Ebert kinda loves this film too.
3 weeks agoMaury Povich
Rage Against the Machine
Running
That’s a good afternoon.